Rob Sheppard's Adobe Camera Raw for Digital Photographers Only PDF

By Rob Sheppard

ISBN-10: 0470224576

ISBN-13: 9780470224571

Professional photographer Rob Sheppard explains the main points of digital camera uncooked, the stairs for utilizing it, the workflow method, and likely most sensible practices that demonstrates how digital camera uncooked can empower the electronic photographer. Encouraging you to exploit it as you spot healthy, he explores the improvements within the most recent new release and is helping you take care of RAW's obstacles, deal with white stability and publicity, decrease noise (especially in evening shots,) and discover ways to use digital camera settings that utilize uncooked features.

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Excess exposure causes tonal and color problems in later adjustments, again because of weaker colors and less tonal information. Added noise is not the problem here, but you get blocked-up, detail-less highlights that are a pain to deal with, as shown in figure 1-8. Overexposed 1-8 > White balance. Shooting on Auto white balance does not cause quality problems when you’re shooting RAW, but it can create workflow issues later. If you set a specific white balance on your camera when using RAW, no pixels are harmed.

The limitations of the camera sensor require that your photo technique match the capabilities of that sensor to get the most from this technology. There is no sensor in the world that can handle the tonal range from the shadows to the backlit hair in figure 2-7, for example. Y optimum. But photography is a creative art, and you always have the choice to work with what you’ve got. If you like the shot, for whatever reason, but it isn’t perfect or it even shows tonal or color weaknesses, you can always just tell everyone you were being creative and meant to do it!

Take one photograph that is exposed properly for your control, shown in figure 2-41. 3. Shoot RAW, Auto white balance, and at a normal ISO setting of 100-200. 4. Take another set of exposures using the highest ISO setting of the camera. 2-39 Here’s a way you can check your camera to see its noise characteristics: 36 1. Take photographs of several subjects with medium tones, and severely underexpose them. You should do this by setting your exposure at least three f-stops below what your meter suggests.

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Adobe Camera Raw for Digital Photographers Only by Rob Sheppard

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