By John Edgar Tidwell, Steven C Tracy
John Edgar Tidwell and Steven C. Tracy have introduced jointly for the 1st time a book-length choice of serious and theoretical writings approximately Sterling A. Brown that recovers and reasserts his carrying on with significance for a latest viewers. Exploring new instructions within the learn of Brown's lifestyles and paintings, After iciness contains new and formerly released essays that sum up modern techniques to Brown's multifaceted works; interviews with Brown's associates and contemporaries; an up to date, annotated bibliography; and a discography of resource fabric that innovatively extends the learn and instructing of Brown's acclaimed poetry, specifically his Southern highway, concentrating on recordings of folks fabrics appropriate to the subject material, variety, and that means of person poems from his oeuvre.
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Extra info for After Winter: The Art and Life of Sterling A. Brown
Brown’s own words illuminate his roles as scholar, teacher, and craftsperson (crafty indeed), and his students delineate how his day-in-day-out activities, momentous and mundane, registered in them intellectually, aesthetically, politically, socially, and very personally. Charles Rowell’s 1974 interview with Brown, conducted in two sessions, is notable for its very concrete and speciﬁc statements on Brown’s understanding of the complexity of the blues and folk material, especially as he sees them being misportrayed by contemporary ﬁgures such as Amiri Baraka and Ron Karenga.
For most of his life, he confronted those who would demean the race, but he also celebrated the resiliency that enabled his people to survive and even thrive. In a literary and cultural expressivity that continues to attract the attention of appreciative scholars and admirers, Brown lives on as a principal ﬁgure in efforts to reclaim and make whole the fractured sense of African American humanity. Brown’s own elasticity undoubtedly derives from two parents who survived slavery and the broken promises of Reconstruction.
In a broad sense, Brown’s A Negro Looks at the South signiﬁed upon the Myrdal Study and revised some of its important conclusions. A multigenre text—part travel narrative, oral history, historical study, and ethnography— the book focuses squarely on African Americans primarily from the South and captures them in various modes of talking, doing, and being. Unpublished in his own lifetime, it nevertheless offers a third way in which Brown used black folk as an aesthetic standard. The inspiration to write A Negro Looks at the South no doubt came from many sources, but certainly none was greater than the need to complete the mosaic of the South created by Jonathan Daniels, a white journalist from North Carolina.
After Winter: The Art and Life of Sterling A. Brown by John Edgar Tidwell, Steven C Tracy